| THE
CANON FD60 IN PRACTICAL USE
01.10.09
- I've been giving this puppy lots of use, so much that I actually stopped
using my new 40D enough that I sold it. This was actually a really hard
decision to make. On the one hand, I made $700 back to put towards various
debts; on the other, I really really really wanted to cut up the 40D and
try a newer, enhanced model for this mod. The way I figure though, if
I'm still shooting with this beast into Summer 09, I'll start saving and
looking for a new/old beaten 40D to malign into a 40FD, and possibly make
this a feasible, sellable mod.
In use, some things I've found:
- There are at least two dead pixels on the sensor, but this is small
potatoes.
- The mount is a little questionable, and should be better reenforced
for heavier lenses.
- The camera is pretty awful in lower light. I don't know if I should
chalk this up to a really early-era sensor, or a dark finder prism,
or inability to focus in said low light due to the abused matte screen.
You can get a low-light shot in, but some factor is too questionable.
I'll put up some samples eventually and maybe someone else can make
sense of it.
- The crop of the lenses must be approximately 1.5 or so, but I have
no idea how you'd confirm this criteria, being that I have no other
camera like this to compare to. Rough estimates comparing an XSi at
35mm and the FD at 35mm crop the FD slightly tighter, but by a pittance.
- The Canon branded lenses are a royal pain to lock on and off, which
will be remedied by Dremeling the face panel down on the lens mount
section.
- Exposure readings seem to be pretty accurate, when changing either
the shutter speed on-camera or aperture live on-lens. The downside is
that you still need to focus wide open, and then stop back down again.
If I get smart enough, I'll figure out a way to make a quick-shot lever
so you can easily reset the aperture after focusing, not unlike the
faster-than aperture kick in an AE1.
- It's heavy, and I like it :)
- White balance and color balance are awful, and requires RAW manipulation
on most shots. This is actually fine by me, as I really enjoy RAW editing
with my shoddy colorblind eyes.
Anyhow,
that's the current word. I'll add a little more as I figure it out, with
more sample images from different lenses, and hopefully a test chart so
I can show how results are skewed with different lenses.
p.s. -- the top photo includes my new favorite multi-purpose
lens, a Vivitar 35-105 f3.5... this thing is huge, pretty, and weighs
about 18 tons. The lower photo is the Vivitar 55mm Auto Macro f2.8, which
I love dearly for it's wide aperture and boss macro focusing abilities.
It was actually one of the catalysts for this whole project in the first
place. |